Puntos de Interés
Municipality
Aldeadávila de la Ribera
Situated on a hilltop overlooking the Duero River from the western end of the province of Salamanca, Aldeadávila de la Ribera is, as Miguel de Unamuno postulated, unaltered by the passage of time.
The town's location on the banks of the Duero river, in the heart of the Arribes del Duero Natural Park, has resulted in it witnessing the sudden socio-economic reconversion of the 20th century. The municipality of Aldeadávila de Unamuno has undergone significant economic and social transformation in recent decades. The construction of the dam and the subsequent creation of a natural space have led to a diversification of the local economy. While historically reliant on the primary sector, primarily oil and wine production, the municipality has now transitioned to a more modernised economy, supported by the generation of hydroelectric energy and rural tourism.
As occurred with the annexed Corporario, the first documentary record of Aldeadávila was established in 1265 because of a loan made by the Church of Salamanca to finance the construction of their respective churches. Nevertheless, some studies posit that the town's name, Aldea-Dauila, and the toponymy of several streets and places indicate that its origin lies in a Muslim settlement. The prevalence of legends featuring Arab protagonists serves to illustrate the enduring legacy of the Muslim presence in this land. It was during the Reconquest that the Kingdom of León incorporated Aldeadávila into its dominions and repopulated it, with the influx of people from Galicia, Asturias and other parts of Castile. From that moment onward, Aldeadávila ceased to be a border enclave and a period of growth and expansion commenced, situated at a considerable distance from the wars that would take place in the heart of Castile. Nevertheless, the city remained attentive to developments in Portugal, its neighbour to the south.
The potential for tourists in Aldeadávila is considerable. Indeed, the village boasts a tourist office, situated within the Chapel of San Sebastián, which offers guidance to visitors on a range of different scenarios. One might consider a stroll to any of the numerous viewpoints along the Duero as an excellent way to commence a day in Aldeadávila. The views are nothing short of breathtaking. The day could be concluded with a visit to one of the numerous wineries, where a tasting of the wines with the Arribes designation of origin could be enjoyed. Alternatively, a boat cruise through the canyons of the Duero could be undertaken.
For those seeking a more adventurous experience, there is the option of renting canoes, bicycles and other vehicles to explore the surrounding natural environment. One might consider concluding the day by exploring the architectural heritage of Aldeadávila, which features a distinctive style of granite masonry. Other noteworthy edifices include the parish church of San Salvador, constructed in 1595, which serves as a local timepiece, announcing a variety of events. In contrast, there are several other temples of great cultural value, including the Franciscan convent of La Verde, located in the village of Salto de Aldeadávila; the chapel of La Santa or Nuestra Señora de las Huertas; and the chapel of Santo Cristo del Humilladero. Additionally, the Palacio del Marqués de Caballero, a civil building constructed circa 1771 in the neoclassical style, is worthy of note.
The patron saint of Aldeadávila de la Ribera is San Bartolomé, whose feast day is celebrated on 24 August in the well-known Fiestas del Toro. For a period of four days, the bullfighting festivities and bull runs are the primary focus of a series of parades, open-air dances, and a multitude of competitive events. Nevertheless, the Bufa de San Antón stands out as a unique and traditional attraction. This is a pagan festival of Vetón origin, which takes place on the eve of San Antón, every 16 January. It involves the local population gathering in the streets to chase away evil spirits with cowbells and colourful ribbons. This is performed by two individuals, who are dressed up as 'la Urga' and 'el Judas' .